Tuesday, February 01, 2005

This Shit

A dream. I'm out of town somewhere with my father. How you can be out of town in a dream I don't know. But we are.

We are staying in a house. Staying at a house because we are not at home. If we were at home I'd say, "We are at home." But we are not.

We're staying at a house. There's some sort of goal or plan or engagement that awaits us outside of the house for which we are currently preparing.

I've glanced into a room across the hall from me and see my father. His hair is damp and a towel is wrapped around his waist. He is wearing his glasses and applying deodorant and aftershave while looking in the mirror.

I am in the bathroom in the hall. The bedroom my father is staying in must have its own bathroom attached. Mine must not. That must be why I'm in the bathroom in the hall.

The thing about this house, well I haven't seen the rest of it, but it's...

Well, it's like the houses some of our relatives had—our relatives from the older generation. My father's parents', uncles' and aunts' houses or condos.

They're clean places, sterile places. There are always tablecloths on the tables and candles lit for dinner at these houses. Children don't and did not live in these homes. Accept maybe in the one unfinished room in the basement where there's always a cabinet near the floor filled with worn-out toys. The toys were scuffed and some were dirty, but nothing else in the house was. And you had to put the toys back in the cabinet when you were done and the matriarch of the house always preferred if you played in that room. Leave the toys in that room. Don't take them out.

The house was like those houses and condos we stayed in when we took trips from Illinois to California or Oregon. We'd drive straight through. But Mom would wrap presents, little games and things, for my brother and me. We got to open one every three or four hours during the trip if we "behaved". Those trips were always during the summer. Christmas was seven months past and five months away. I'd heard friends talk about half-birthdays. Those car rides were half-Christmases.

But I'm not a kid now, I'm my age. We could have taken the trip last week in conscious life. But I know we didn't drive. I see carry-on luggage in my father's room. He'd packed less than he would have if we'd driven. I need to go get my soap and shampoo out of my suitcase.

I know we didn't drive, we flew. But where's Mom? Where's Marco? His name is Mark. Well, his first name is Marcus, but he spells the shortened version with a kay. But I've called him Marco ever since we played Marco Polo for the first time. We probably played it for the first time in one of these wealthy relative's pools. With their kids' kids that were sooo lucky.

But none of that matters since I'm in the bathroom right now. I'm in the bathroom with this terrible kind of wallpaper plastered on its walls. I seem to remember this wallpaper from Grandma's old house. It has a gold background and there are these vine-ish designs on it growing out of the carpet on the ground. Who carpets their bathroom? Older relatives from my father's side do. Whoever put the wallpaper up made sure everything was straight but made mistakes lining the pattern up horizontally at the corners. The vines are green. But there's only just enough blue added to yellow to make these vines' green. Yellow-orange flowers sprout from the vines. The flowers either clash with the background or they match. It's a dream; it doesn't quite make sense or matter.

All the cabinets in this bathroom are stained dark brown. And the mirror isn't just a mirror but four mirror panels that each act as a door for a section of the medicine cabinet. The outside edges of the sectioned mirror are framed in wood, stained the same dark brown. The mirrored doors on the medicine cabinet are the ones that you press in until the little latch inside lets go and they pop open.

And I've done just this to one of the mirrored doors and see the shelves inside and on one of the shelves I see a bottle. I see a plastic bottle. The wedge-shaped kind that stands upright on top of its cap. I see a bottle of green-tea face wash. I close the medicine cabinet door and look towards the other room at my father.

Holy shit. I know where we are.

Now he's sitting on the bed in there and the TV is on in that room. The comforter is pink with turquoise wisps and flowers and flourishes. Are we in a hotel? Dad looks up from putting on socks and looks at me and raises his eyebrows and makes his mouth into a perfectly straight line. I puff my cheeks and roll my eyes and wag my head from side-to-side at him. He looks at the TV and I shut the bathroom door.

I don't want Dad to see me invading privacy. I lock the doorknob and walk back to turn on the shower. Would she let it clash like this in here?

The bathroom is longer than it is wide. The cabinets with the counter on top and a sink built in, the medicine cabinet/mirror above them and the toilet are all on the left side when you face the back. There are towel racks and bars holding damp towels on the opposite wall. At the back of the bathroom is a bathtub with a shower head and a shower curtain. The toilet is between the sink and the bathtub. The shower curtain is either off-white or gold. Everything really does clash in there.

Standing outside of the bathtub I turn its handles, adjust them so the water runs hot as I like it and pull that rod on the faucet. Now water is coming out of the showerhead. I press open all of the mirror panel doors starting at the left and moving in sequence towards the right. All of the doors swing open to the left except the farthest right which swings open to the right. The backsides of the left-most and right-most doors are also mirrored. I walk back to the left side of this contraption and look at myself in the mirror on backside of the left-most door. I mouth, "Don't do this," to myself knowing I will. At least I think twice.

Moisturizers, that mouthwash and toothpaste mixture, tweezers, Q-tips, Kleenex, that deodorant also infused with green-tea, Sudafed, that acne stuff that burns at first, that lotion, that lilac-scented spray.

Holy shit. I know where we are.

I've looked through the first three sections of the medicine cabinet. I don't want to keep going. My stomach is empty. My stomach is full of nervous and nothing. I'm having trouble swallowing. I have a ball of air in my throat. I don't want Dad to see me doing this. I don't want to keep going.



You know...that's the thing with dreams. I'm not sure I want to tell you the rest. That's my unconscious. My neurological privates. Vulnerable, open, exposed. Fleshy. Open to attack. You sometimes dream things you don't even want to tell yourself about. That's all the shit. The brown shit that embarrasses you. That's for me to know and get over. I defeat it myself or create an identity that doesn't have or think this shit.

But you've come this far so I'd better deliver. Otherwise you may not ever listen to one of my stories again.

I mean I've told you that I haven't talked to her for months. And that I'm over it. And I am. I'm not lying to you. I'm not that. I guess there's just a little bit of shit left over in the unconscious that needs to be cleaned up.



There are four mirrored doors that cover four sections of the medicine cabinet, and I've looked over the first three and closed their doors immediately after. And the mirrors are fogging up and it's humid and I'm sweating.

And my father knocks on the bathroom door.

All of the muscles in my body, below my chin, flex simultaneously and I swallow the lump in my throat and I bite my tongue. He knocks again.

"We gotta go in 20 minutes so you should get out soon."

I lean my head behind the shower curtain, careful not to rustle it, and yell, "Yea OK."

I am looking at the mirror on the third door which is shut. I stick my tongue out. It hurts, but there's no blood. Nothing serious. I look at myself in the eyes and grit my teeth while inhaling through my nose. Then I raise my eyebrows and open my eyes wide and curl my lips into my teeth. And I'm making this face at myself. And my self is making this face at me. And I stop looking at myself and glance over at the shelves exposed by the fourth door. And I see them.

That deodorant, that hair pomade shit, that Chapstick, that face wash, that shaving cream, that after shave. These are products I use or have used in the past. But I know these are not mine. They're his. They're hers. They're theirs.

Holy shit. I know where I am.

I slam the fourth door shut. It is loud. The entire cabinet shudders. Things fall down inside. I expect a knock. It comes.

"You all right in there Steven? You really should hurry it up."
"Yea, yea. I'm almost done."

I look in the mirror and notice that my hand is clasping my cheeks. I'd better be sure to put everything back in its proper place. They'll know I looked through. And that's what they'd expect. They'll make that suction-click sound pulling their tongue from behind their front teeth and they'll say, "I can't believe him," and they'll widen their eyes and part their lips after the em for effect.

Holy shit.

The shower's still running and the steam is billowing out from above the shower curtain. The steam runs across the ceiling with little smoky legs and feet.

I start from the left again and open all the mirrored doors. Click-click. Click-click. Click-click. Click-click. A couple of her things fall out. Most of his things fall out of the fourth section. Their things fall out onto the yellow Formica counter and some fall into the sink.

Another knock. I expect it.

"Come on Steve! What's going on in there? We really have to get going pretty quick."
"Nothing, nothing. I'm almost through."

I realize each "nothing" must catalyze his suspicions. I put the things back where I think they were and I can't remember their exact places and they'll know and now I'm touching THEIR things and what AM I doing?

They were nice enough to let us stay here on our trip. Where are we going? Why are we here? Why is my shit in these cabinets? That's not my shit. My shit is still in the suitcase.

I'm doing my best to re-place everything correctly, but I don't remember where it all goes. I'm found out. I'm fucked. I'm not actually found-out in the dream, that's just the sense I have. All of the mirrored cabinet doors are closed. Everything is standing or lying down in the cabinet. Not everything is exactly in its original position, but everything's close and everything's there.

I step into the shower. Just to wet myself so it looks like I've been in the shower. I get out. I dry off. It’s a dream. Skips and jumps. I'm following my father out the door of the house. Now I'm awake. Conscious.



Now don't fucking psychoanalyze me—I'll take care of that myself. Just don't to my face at least. Well, I guess just don't do it right now. I mean, I told you the whole story for a reason. Obviously I want your opinion at some point.

What the fuck is this thing? I think I'm disrupting her stability in some mystical way? Fucking self-involved narcissist.

I mean, SHE wasn't in the dream. It was just me and the idea of her and the idea of her with the other. Consciously, I remember the relationship like I remember a trip to summer camp. I'm only remembering the good parts. It's not like I want it back, but I do remember it and get tender. Not crying but saying, "God damn. That was pretty great at the time." But for some reason there's still this shit in my dreams.

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1 Comments:

At 7:35 PM, Anonymous Anonymous said...

holy mackerel. i'm assuming this is fiction. i was wondering what was coming at the end and the end was so wonderfully ordinary and apologetic it made up for everything. everything. i have to think about this more, but i wonder what emphasis means after this.
lars | 02.02.05 - 6:01 am | #

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great caesar's ghost. and i was thinking this was lars writing about his dad, and feeling vaguely offended about the deodorizer and after shave references, since i've never used them, and then illinois came along and i knew it was at least intended to be fiction and then i got over myself and into it and then it turned out to be sam.

so i had some other texts froming and vaporizing even while i was living in sam's world for a while. cool.
steviepinhead
Anonymous | 02.02.05 - 2:02 pm | #

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Very good Sam. I'm going to reread it even.Very good.
Luke P | 02.02.05 - 9:10 pm | #

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Fuck 3 comments? That's it? Start ripping it apart now. I know you all don't think everything about it is good. So criticize you fuckers!
SamB | 02.05.05 - 1:14 pm | #

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i was real drunk the first time i read it and i haven't given it another close look. some of the details seem overdescribed, but i can't decide if that actually helps the dream-state feeling of the story. i like the ending a lot but i can't help think that, since for an average reader it may be difficult to tell if its fiction or not, you threw in some loops just to distance yourself from the person narrating. also, while i think you've encased an interesting moment or experience, the writing and constructions don't in themselves compell me to read. there seems not enough joy in the reading.
lars | 02.05.05 - 2:25 pm | #

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I dunno, I don't want to read for a whole LONG time about the aftermath of love-gone-wrong, which I'm assuming is what underlies this, but that's what i like about sam's stuff--it's short and to the point, even as it nibbles around the edges of what somebody else--someone who isn't as good a writer--would slog straight into. The sense of stumbling around in somebody else's bathroom, invading the physical equivalent of their most private space, trying not to make a mess, was captured pretty well, with a thin edg4e between humor and a creepy horror...
steviep
steviepinhead | 02.05.05 - 3:27 pm | #

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I don't understand your issue with "tell whether it's fiction or not". It seems to me that good fiction shouldn't obviously be fiction. I also think the only reason you ask is because it is a dream. And isn't a dream fiction? Some writer at some time said that when you read a story it should be like a dream. In that you're convinced it's real. When you're unconcious your disbelief is obviously suspended. A good story should also be able to maintain the suspension of disbelief. Is this fiction? Is it not fiction? I don't think it matters. Just read it. And if it really does, the narrator names himself in the story and the author's name is at the bottom which would pretty quickly answer the question I think.
SamB | 02.05.05 - 4:00 pm | #

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And stevie p. I hope it didn't come across as a "love-gone-wrong" story. I felt like the end kind of cleared that up. Maybe not.
And Lars did you mean "joy in writing" or "joy in reading"? And what do you mean?
SamB | 02.05.05 - 4:03 pm | #

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no there's nothing wrong with ambiguity about whether it's fiction or not. it's writing either way and what i'm saying is that some of the revelations seem a little overly designed to announce it as fiction.

i did mean joy in reading. obviously its not a joyous tale, but i think even the most dour or violent narrative should create a delightful experience of reading, in recognizing the flavor and choices of the writer. i'll be more precise later, for now i have to go to work.
lars | 02.05.05 - 4:30 pm | #

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sorry, sam, it was fairly clear that the protatgonist was simply looking back on an old love who had moved on to another thing, the current relationship not crossed up with the old one, and no hard feelings. I was using "love-gone-wrong" kind of loosely, in that in some sense any good love that doesn't keep on keeping on for whatever reason is one that didn't go perfectly right. Where exactly do those old feelings GO? They don't disappear so much as get overlaid, and sometimes crop up again, regardless of what's going on in the now. I completely agree with you about the fiction thing. Any text is a creative writing; at least that's the way I approach it...
steviepinhead | 02.05.05 - 5:52 pm | #

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I idisagree with the notion that good writing
"Shouldn't obviously be fiction". I agree with this idea in that a good writer will fully envelope the reader in his world, making it so the reader is involved in his fiction as though it is not, but, in the context of your post ( a response to the question of it being fiction or autbio) , I don't buy it. Think of all the great writing that has been so obviously fiction ( besides straight genre work like scifi, which is full of great writers) ;
Vonnegut,Borges, Saunders, Kafka. I could go on.
Luke P | 02.05.05 - 8:55 pm | #

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An aside:
If there is any one thing I dislike about young-ish writers, it is the lack of interest in the fantastic.
Often times, the fantastic is bigger than the self, or the individual.It forces the reader out of one characters head and into the greater world of the story. I can see why it is resisted; "Write what you know" ( what if what you know is boring!), creating an "authentic" voice seems to be important. I don't think it is, so much.
Luke P | 02.05.05 - 9:07 pm | #

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I see what you are going for in the longish descriptions, but they are a bit boring.The stuff you describe is, in real life, pretty boring, it could be described in a more artful way,one that makes the boring really foriegn ( like in a dream).
Other than that, I like it a lot.
The ending of the dream- all the 'holy shits' and the 'shit' stuff is very good.
Your own self seems to be coming through a bit strong in the "Now don't fucking psychoanalyze me" bit. It's something you would say, but would this character who just told his dream, full of Fruedian whatnots, be concerned about being psychoanalyzed? I don't think so.Why tell it at all? It's a too McSweeneys 'chase your own tail' type writing.
Luke P | 02.05.05 - 9:19 pm | #

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okay i agree with luke. i suppose i have the same response about the joy of reading to mcsweeneys most of the time. i feel like the writing carries with it a compulsion only because you're supposed to keep reading and you're only there because you're there to read something; the piece comes with the assumption of being read. i want a text to demand i read it, and this one doesn't do that. (i'm not saying i'm good at this; i think this is one of the hardest things about writing, and writing music)

i want to clarify, too, that i don't mind the fantastic at all. i love that shit, and i think its high time real life stories return to the mythical in their circumstance -- maybe thats an influence of the fantasy of comic books but also the sheer metaphorization, fable-ism of song writing -- but i also enjoy a work that plays with its idea of factuality/fictionality, which is elemental in critical art, which is why i say it shouldn't matter if you can tell it's fiction. imagine a
lars | 02.06.05 - 6:14 am | #

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fantastic work that performed it both, like kafka or p.t. anderson

i haven't read any south american writers but i think "magical realism" is a kind of style popularized by the guy who wrote 100 years of solitude, gabe garcia marquez. and i think henry miller is a pretty imaginationary correspondent; i've been reading a book about his travels in greece. i'm not sure if resplendant means what i think it does, but i want to use it anyway to describe this style. i want to write that way.
lars | 02.06.05 - 6:18 am | #

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Yeah, I agree. Although I do like a lot of straight-up fantasy ( Jack Vance, Gene Wolf) , I wasn't necessarily urging young writers to throw in thier (mesh- or are they wearing the Castro ones like I am ?) hats and start writing about crystal caves or anything. I like to use Charlie Kaufman and Georrge Saunders as to guys who use fantastic stuff, but in contemporary ways. I like McSweeneys, btw, it just needs to be done right.
We're seeing quite a few people doing it poorly nowadays.I think so many people are doing it cause it looks easy, in the same way Gary Panter drawings look easy; every pen line is exposed and shaky.You can imagine drawing those lines yourself.The hard part is composing it, choosing where each raw line is gonna go. Anyway, McSweeneys is getting less and less like the stereotype of it I've been using for the past two years.
You should pick up Labyrinths by Borges, Lars.
Luke P | 02.06.05 - 12:24 pm | #

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I should say; the stuff about the fantastic was an aside.Nothing to do with the subject at hand, really.
Read Borges though, seriously, it'll make your brain hot like math.
Luke P | 02.06.05 - 1:19 pm | #

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Borges sounds great, Luke. And I like the use of the word "imaginationary," Lars. Sam: My favorite things about your piece are its rhythm and structure. I both dislike – at least instantly: it's got a bitter taste – and love – for its relationship with these comments – the last segment. Whose opinion do you want? Who is the "you?" I just read a story in an old Vanity Fair about a 14-year-old British kid being tried for his own murder after "plotting it online" for years in a gigantic soap-operatic winding story he'd write every night, entwining his friends and family with fictional characters. His best friend apparently fell hard for a girl the kid meant for him and then killed off. But it was all a venture in self-affirmation (and, as the prosecution says, in self-destruction). I'm comparing neither this act nor this article to your writing, but saying it makes me think of the same things as your last segment does regarding interactions on- and off-line. I feel like I should
Christine | 02.07.05 - 11:24 am | #

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explain more, but don't even know if this hint at it makes any sense, so I'll stop.
Christine | 02.07.05 - 11:25 am | #

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It does make sense Christine. Who wrote the story?
Luke P | 02.07.05 - 12:58 pm | #

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The article or the online journal? I can't find either at the moment, but will this evening and get back to you.

Have you ever read Bulgakov, Luke?
Christine | 02.07.05 - 1:26 pm | #

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No. I'm googling him riiight now.. I have heard of The Monster and The Margarita in passing, but never looked into it. I will now though, thanks.
Luke P | 02.07.05 - 4:38 pm | #

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Yeah yeah. It's damn good. At first I thought it was overdone satire, or just plain trippy, but then I realized it was the fantastical stuff I love, the fun and the funny caked onto great literature. Anyway, here's a really poor link to a news story about the murder-mystery incident I mentioned that isn't the right news story, but gives a taste: http://xo.typepad.com/blog/2004/ ...ual_murder.html
Christine | 02.07.05 - 9:03 pm | #

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Sorry, It's The MASTER and the margarita..
Luke P | 02.08.05 - 1:03 pm | #

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If you thought masterful mmargaritas were trippy, then there's Diabolique...
sp
steviepinhead | 02.08.05 - 3:38 pm | #

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The film?
Luke P | 02.08.05 - 4:17 pm | #

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A collection of short stories by Bulgakov.
steviepinhead | 02.08.05 - 5:14 pm | #

 

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